Showing posts with label Son Volt. Show all posts
Showing posts with label Son Volt. Show all posts

Friday, December 10, 2010

Toronto, I am Breaking Up with You

Toronto, it’s over. I’m dumping you. We had a good run, but it’s been nearly nine years and one of us has to get on with it. As Jay Farrar says, “When in doubt, move on.” I gave you most of my 30s, and you gave me a lot of affection, contentment, and high jinx, but also a lot of heartache.

Son Volt - Drown.mp3
Buy: Trace (1995)

We got off to a rough start, Toronto. Your big brother Canada didn’t help at all. On my third day here in March, 2002, on my first day of work, my manager pointed out that Canada had listed me, Amy Diane, as man on my official Canadian work permit. I had to truck back to my port of entry and change my sex.

Within days of solving that fiasco, your other big brother, Ontario, did me no favors my going on strike for eight weeks. I couldn’t get a diver’s license, a health card, or register my car. Not that it mattered that much, since as soon as I tried to get my car to pass all of Ontario’s various inspections, I had to put $1200 worth of work into it. Was my 1993 Mercury "Speed" Tracer even worth $1200 in 2002? Doubtful.

But all of these family issues notwithstanding, Toronto, my living conditions were not helping anything. When we got together I was fresh out of grad school, beyond broke, so I took a cheap apartment in the Mimico area of Etobicoke, sharing it with a dude who would say things like, "I’m not racist, I just don’t like Blacks or Jews," which was ironic to me considering that he was Latin.

And the commute from Etobicoke to your downtown was murder. How many times did I wait in the rain and cold for over 50 minutes for your streetcar that was supposed to come every ten minutes? And the brutal heat that summer in your putrid non air conditioned streetcars. Then you, Toronto, went on strike! The "Garbage Strike" of the summer of 2002, sixteen days of mid-summer misery, where I couldn’t stand the stench anymore and would get off of your streetcar at Queen and Bathurst for some "fresh air," and walk the rest of the way to my job at College and University. By the beginning of fall I gave my 30 days notice to my racist roommie, moved downtown, doubled my rent, and tripled my sanity.

Sun's Hanging Low

50 Stephanie Street: a concrete slab of all that was wrong with 70s architecture. Also, my home for nearly six years. 50 Steph and I got off to an auspicious start. I moved in one week before my 30th birthday, and I informed my new roommate Kirwin that we were going to celebrate by having a pub crawl on your streets, Toronto. My first step into the Horseshoe Tavern was that night, and I recall Kirwin buying me a shot of something that was on fire. I ended the night vomiting all over your Queen West, and for that I will apologize Toronto. But God knows that it wasn’t the first time, or the last.

You got your revenge on me the next day. Since I had just moved in I hadn’t installed curtains yet, and you made sure that the sun blared into my south facing bedroom window all day. I had to actually crawl under my bed to keep the light out of my hungover eyes. When I finally got out of bed at 6 pm, Kirwin said, “Dude, I’m so glad you are finally up. So, Bishop hooked up with.....” Turns out that while I was passed out all of my work friends had hooked up with all of Kirwin’s friends. I couldn’t deal, so I went back to bed.

Since a few of Kirwin’s friends lived in the building, 50 Steph turned out to be like a bad episode of Friends, only with sex, drugs, rock n’ roll, and enough booze to drown a small country. And we had none of this cutesy shit like “OMG! Rachel likes Joey!” We had real problems, like being broke and unemployed, having disastrous relationships, having our cars broken into, our apartments being infested with mice, and having no heat in the winter. It was nearly identical to Sarah Harmer’s song “Basement Apt,” only in a high rise. “We live out where John Street ends, in a high rise apartment with all of your friends.” We did throw some killer parties though, and I think your cops, Toronto, only showed up twice. At least we had a killer view of your downtown.

Sarah Harmer - Basement Apt.mp3
Buy: You Were Here (2000)

Things were good for a while, until you decided to kick my ass in 2003, Toronto. First, in the spring you infected Mt. Sinai hospital, where I worked, with SARS. No one knew what was going on, so we all got sent home for two weeks as “non essential employees.” Some of my friends even got quarantined to their homes. It was surreal. It was like I had a snow day for two weeks, but no one else in the city did. Most of my work colleagues were from Ontario so they went off to visit family until the crisis cleared up. My family was far away, so I sat at home, lonely, bored, with dial-up internet, watching Days of Our Lives and other bad TV.

Later that summer, you got nailed by a blackout. Although, to be fair, that was the fault of your cousin to the south, Ohio. I crawled up 18 flights in the dark to get to my apartment only to find that a party had broken out on my balcony. Cool! Everyone was hurrying to drink all of the beer before it got warm. I made peanut butter sandwiches for dinner.

We all got destroyed in late August when Kath died. Fuck, how does a 31-year-old die from a cancer that usually appears in old men? For all of her short life, Kath lived and breathed you, Toronto. She should have been given more time. Fuck you cancer. Fuck you.

Finally, on Halloween, I landed in the ER with what turned out to be a small bowel obstruction. I had to have major surgery, and spent 17 days as a patient at Mt.Sinai Hospital. My mom and I watched your damn Santa Claus parade from 14th floor lounge. After I was released from the hospital, poor Kirwin had to put up with my mom living with us for two weeks while she took care of me. It was one of the most miserable times of my life. I have had continual complications and GI episodes since then, leading to 17 different ER visits and hospitalizations over the last seven years. I unfortunately know the inner workings of both your Mt. Sinai and St. Michael’s emergency rooms. But I do have to acknowledge that your socialized medicine rules, and I never had to wait more than an hour in the ER. You at least got that right.

Why I didn’t dump you Toronto after 2003 I will never know.

Outside the Stars

But things got better between us, Toronto. I took up a bunch of sports. I paddled a dragon boat in races from your Toronto Islands all the way to Sudbury, and everywhere in between. I played softball in parks all over the city, like Coronation, Riverdale, Downsview, and Centennial, and even won a few championships. I joined a soccer team and learned about muscles that I didn’t that know I had. We frequently played at Sunnybrook park, a gorgeous semi-secluded park that I didn’t even know existed until I got my city-slicker butt north of Eglinton Ave.

I took up curling. No, I became obsessed with curling. I would watch the CurlCAST on my computer at work. I would spend my Sunday afternoons fixated on CBC during major tournaments. I even road tripped to the Brier in Hamilton in 2007. I bought curling shoes, and a broom, and gloves, and a powerful curling kilt. I curled at East York, High Park, Leaside, Brantford, Tam Heather, and Avonlea (which you, unfortunately, turned into an indoor soccer arena in 2006). Once on my way to a league game, while walking down Spadina to catch the Queen West streetcar, a man stopped me and said, "I’m from Regina and I never thought I would see a curling broom in downtown Toronto."

During the 2006 and 2010 Olympics, I arranged my work schedule around specific matches. One of my favorite curling Canada moments came during the 2006 Olympics. My brother and future sister-in-law were visiting from Detroit and I took them out to the Firkin for beers on the Friday night of the men’s gold medal game featuring Canada and Finland. Since the men’s hockey team had sucked and lost early in the tournament, the bar was showing the tape-delayed curling match on all of it’s TVs. The bar was packed, and everyone was riveted by the curling action. The dude next to me poked me and said, "Do you know the outcome?" I did, since I had skipped out on work that morning to watch it. The dude fist pumped and said, "Fuck Yeah!" Yes, Toronto, even you can get excited about curling.

And since I was finally relatively healthy and active, and finally getting to know your downtown, Toronto, I started going to concerts. Lots and lots and lots of concerts. I estimate conservatively that I went to 150 live music shows in the last seven years, and that doesn’t include festivals. I saw a mediocre Bob Dylan gig at the Phoenix (capacity ~800) in 2004. I saw Dylan rip the fucking roof off of the Air Canada Centre (capacity ~19,800) in 2006, with the Foo Fighters opening with an acoustic set. Awesome. I was at Massey Hall in 2006 when Jeff Tweedy of Wilco called us all "motherfuckers" because no one was dancing (who dances in Massey Hall?). I saw the Drive-By Truckers for the first time in the fall of 2006, and was so keyed up and blown away after that gig that I didn’t sleep at all that night. I saw dozens and dozens of small local acts play their hearts out at the Cameron. The first time I saw The Sadies was at their annual New Years gig in 2006. I subsequently saw The Sadies live roughly 17,345 times after that, and I never saw my hot date from New Years 2006 after that night. Hot dudes come and hot dudes go, but The Sadies are forever. I will never forget January 2007, and James McMurtry singing the last verse of "Holiday" a capella on a bitterly cold night at the El Mocambo where the heat was barely functioning and the ticket girl at the front was turning blue because it was so cold. I didn’t even remove my toque for that show.

In 2008, encouraged by some fellow alt country/rock music lovers, I started a music/mp3 blog. Despite it being a total vanity project, my blog netted me some “press” passes to gigs, and got me on some guests lists. I also got to meet some incredibly cool people along the way. Toronto, you have an enthusiastic but tiny community of alt country fans, and this blog helped me get to know many of them, including some of the bands and artists.

Toronto, we did so many things together. We got drenched by super soakers at the Pride parade. We waited for rush tickets at the Film Festival. We wandered around aimlessly during Nuit Blanche. We sat on the 50 Steph balcony with our cocktails and watched the air show and various fireworks displays. We did Summerlicious and Winterlicious. We got stuck in soccer parties and traffic during the 2002, 2006, and 2010 World Cups. But I got the hell out of town during every Caribana weekend.

I adopted Queen West as my home. I cursed at Nickelback and other awful pop bands when they polluted my Queen West with their music during various outdoor Much Music shows. I inhaled deeply while walking through the perpetual mushroom cloud of weed smoke in Grange Park. I did tons of volunteer work. I raised funds for the Terry Fox run. I never went to Honest Ed’s cause that places freaks me out. I survived two transit strikes (‘06 and ‘08) and another city services/garbage strike (2009). I cursed your YYZ and adored your YTZ. I supposedly developed a Canadian accept, although my hometown is farther north than Toronto, so I suspect that I already had one.

I got to travel all over your cousin provinces, from St. John’s, Newfoundland, to Vancouver, British Columbia (but I sort of skipped everything between Sudbury and Calgary). I took a 12 hour ferry from North Sydney, NS, to Argentia, NL. I skied Lake Louis and Mt. Tremblant. I got lost in an area of Quebec where no one spoke English. I bought a used copy of Mule Variations at some run-down CD store in Calgary. I ran a 10K in Vancouver, then stupidly took the red eye home that same night (oh the pain). I spent the night in my car somewhere near Edmundson, New Brunswick.

In Another Time

Toronto, you can be hard on people. Sometime in 2007 Ryan saw an opportunity that you couldn’t provide, and up and moved to Vancouver. Somehow, that caused all of us to grow the fuck up and leave 50 Steph. Bishop bought a condo. I interviewed for a job in New York and when I didn’t get it, I “divorced” Kirwin and moved into swanky condo. Kirwin bought a condo. Grelly bought a house and got themselves hitched.

And you really started to kick my ass in 2009, when I got a 20% pay cut, even though I hadn’t had a raise since 2006. All of the noise and construction and sirens near work started to fray my nerves. The elevators at work were/are always broken, and some days it took me longer to get from the first to the 10th floor, than it did to bike the 2K to the hospital. The same lady still sat in front of the church on McCaul and asked me “for change for her son.” She’s been there since 2002. The heat/smog wave of 2010 almost killed me. And I nearly had a goddamn nervous breakdown as rioters came within a few blocks of my home and trashed my Queen West during that great fucking G20 fiasco. And more recently I had a big run-in with your Canadian immigration system. Or, I should say, had yet another run-in with Immigration Canada. I can take a hint.

Before moving to Toronto I lived in Chicago (‘91-’95) and St. Louis (‘95-’02). Unlike those cities, there was never a time with you, Toronto, where I didn’t feel safe. When I moved here it took me a long time to get over the fact that it was OK for me to walk alone after sunset without having that nervous feeling that someone was going to jump out of the bushes and murder me. I would ride my bike at midnight through the so-called “bad” neighborhoods of Toronto, where there were certain neighborhoods in Chicago and St. Louis which I wouldn’t even drive in during bright daylight with the windows rolled up and the doors locked. I scoffed at people who moved to Ottawa because Toronto had become “too dangerous.”

But Toronto, you lack on some things these other cities offer. For example, I never got really excited by a local professional sports team. Getting to your main airport was always a total nightmare, or it cost me an arm and a leg. Your beer and liquor stores close too damn early. Your job market was and is totally brutal for my field, and even many of my colleagues who are Canadian citizens had to leave you to get jobs in other provinces/states/countries. Your public transportation system is terrible. And during my tenure with you Toronto, I never fell in love. Except maybe with the city itself.

But it’s time Toronto. Fish or cut bait. Shit or get off the pot. I’ve dragged this on too long and it’s time for me to go. It’s not you, it’s me. It wasn’t meant to be. When one door closes another one opens. Cliche, cliche, cliche. To paraphrase James McMurtry, I’m onto some bright future, somewhere down the road to points unknown. I’ll send post cards when I get there, wherever it is I think I'll go.

James McMurtry - I'm Not From Here.mp3
Buy (mp3): Live In Aught-Three (2004)

Friday, October 15, 2010

Rocktober 15th

On the 15th day of Rocktober Jay Farrar gave to me...fifteen keys.

Uncle Tupelo - Fifteen Keys.mp3
Buy: Anodyne (1993, reissued 2003)

Anodyne still sounds as good and as relevant as it did when it was released in 1993. In fact, I would argue that all of the Uncle Tupelo catalog has held up very well over the last two decades. Anodyne in particular has a perfect balance of country and rock music. It was Uncle Tupelo's only major label release. The album was recorded live in studio, and each song was recorded in only one take. It was the only Uncle Tupelo album to completely lack overdubbing. Unfortunately, it was during the making of this album where Jay Farrar and Jeff Tweedy started to hate each other. Uncle Tupelo broke up shortly after the Anodyne promotional tour.

Bonus! Since it's Jay Farrar Friday, here is "Fifteen Keys" from that fateful tour.

Uncle Tupelo - Fifteen Keys.mp3
From: The Blue Note, Columbia, Missouri, April 29, 1994

Double Bonus!! This fall also mark's the 15th anniversary of Jay Farrar's/Son Volt's opus Trace, which was released on September 19, 1995. Trace is easily one of the best alt country albums ever recorded, and one could make a strong argument that it also holds up well as a classic country album.

Son Volt - Catching On.mp3
Buy: Trace (1995)

Friday, May 7, 2010

Music and Misery #8 - 7

I've had a miserable week - got zero job offers after two job interviews! Won't be long until I am in the unemployment line. Let's get to the top eight of Forbes most miserable US cities index. Maybe it will make me feel better about having to move into my parent's basement.

8. Buffalo, New York
The second largest city in New York, despite the fact that the population has fallen by more that 50% over the last 50 years. Current population is about 300,000 with a metro area of about 1.2 million. Unemployment rate of 8.63% as of March 2010, which is below the national average of 9.7%. Despite the relatively low unemployment rate, an estimated 28.7% of the population lives below the poverty line, the third worst in the US (and those other two cities are in the misery list top 5). What really makes Buffalo miserable is their craptacular winters. Part of the Snowbelt, Buffalo gets pelted by 2-3 meters (6-9 feet) of snow each year. Buffalo is south of Lake Ontario, and west of Lake Erie, so it can get lake effect snow from either Great Lake. If the wind is right, Buffalo can get a foot of snow, while we in Toronto, 50 miles due north, will only get flurries. Buffalo's sports teams have been nothing to write home about either. The Buffalo Bills have not had a football championship since 1965, and lost four straight Super Bowls from 1990-93. The NHL team, the Buffalo Sabers, has never won a Stanley Cup, and were eliminated from the playoffs in the first round this year.

One great thing about Buffalo: the bars are open until 4:00 a.m. Whoo-Hooo! And their chicken wings rule. Yum! OK, that's two great things.

There are several famous and diverse musicians from Buffalo, notably funk singer Rick James, indie hippie singer Ani DeFranco, alternative singer Natalie Merchant and her former band 10,000 Maniacs, and the jazz fusion band Spyro Gyra. Probably the most famous band from Buffalo is the Goo Goo Dolls.

Goo Goo Dolls - We are the Normal.mp3
Buy: Superstar Car Wash (1993)

Gurf Morlix is also originally from Buffalo, although he now resides in Austin, TX. I wrote about his tremendous 2009 album Last Exit to Happyland a few months ago, but I am reposting this song because it is so good.

Gurf Morlix (with Patty Griffin) - She's a River.mp3
Buy: Last Exit To Happyland (2009)


7. St. Louis, Missouri
Gateway to the West. Now here is a city I know something about. I lived there from 1995-2001, before moving to Toronto. In that time period everyone I know got mugged or faced an attempted mugging, had their car stolen or broken into, and one friend was actually held up at gun point. Not good. Current population is about 300,000 with a metro area of about 2.9 million. St. Louis has a very weird downtown area in that there is none. After 5 pm the city shuts down, unless there is a baseball game. Apparently some of this has changed since I lived there as St. Louis received the World Leadership Award for urban renewal in 2006. Unemployment is around the national average of 10%. St. Louis ranks among the worst in violent crime, with Morgan Quitno ranking it the second most dangerous city in 2009, behind Camden, NJ (which did not make Forbes misery list due to its population of under 245,000, although it could be counted as part of metro Philadelphia). The FBI lists St. Louis as #1 in per capita total violent crime for 2008, #1 in aggravated assault, #2 in murder and non-negligent manslaughter, and #1 in total property crime. Great.

Here is all that Forbes says about St. Louis: "St. Louis is a baseball town, but what about those Rams? The NFL team has won only six games out of 48 the past three years, the fewest wins in football." Weak Forbes, and lazy. The St. Louis Cardinals won the World Series in 2006, and have been consistently one of the best national league baseball teams over the last 15 years. The St. Louis Blues hockey team made the playoffs every year from 1979-2006, an NHL record, although now they are in a rebuilding phase.

The weather in St. Louis has a whole range of misery. The spring and fall can be wonderful, but the humidity in the summer is pure torture. You cannot live in St. Louis without A/C. At LEAST two or three "extreme heat warnings" are issued every summer. Plus, huge thunderstorms often sprout tornadoes. I've been in Toronto eight years can only think of one massive St. Louis-style thunderstorm that has rolled through the area. And St. Louis is far enough north where it will still get significant snowfall in the winter, which causes another layer of misery due to the complete city's inability to remove the snow.

So much amazing music originates from St. Louis. Ragtime pianist Scott Joplin produced some of his most famous works while living in St. Louis in the early 1900s. Soul musicians Ike and Tine Turner and Fontella Bass got their start in East St. Louis, as did jazz innovator Miles Davis. Dozens of famous modern musicians hail from St. Louis, and the city still has a tremendous hip-hop and blues scene. One thing I loved about St. Louis when I lived there was the number of incredible local bands.

Arguably the inventor of rock and roll, Chuck Berry, at age 83, still performs live in St. Louis at Blueberry Hill. In fact, he is performing there on Wed., May 19. Sold out!

Chuck Berry - Too Much Monkey Business.mp3
Buy: The Definitive Collection (2006)

The seminal alt country band Uncle Tupelo was originally from Belleville, Illinois, just on the other side of the Mississippi River from St. Louis, and Uncle Tupelo had most of their early gigs in St. Louis.  Upon the demise of Uncle Tupelo, Jeff Tweedy headed north to Chicago and formed Wilco, while Jay Farrar remained in St. Louis and formed Son Volt. 

Son Volt - Windfall.mp3
From: Acoustic Radio Sessions '95-'96 (Bootleg)

And, since its Friday and I haven't done a Jay Farrar Friday in a while, here's a solo track from Mr. Farrar.

Jay Farrar - California.mp3
Buy: Terroir Blues (2003)

Wednesday, December 30, 2009

More on 2009

I meant to do more blogging last week while I was on vacation in St. Petersburg, Florida, but the internet connection at the hotel was abysmal at best. So instead I did a lot more drinking. The above photo is from Dockside Dave's. Nothing like eating a half pound of fresh fried grouper, giant onion rings, and several beers on an outdoor patio on December 26. And then slipping into a food coma and napping on the beach.

Anyhoo, here are a few more albums which I feel are among the best of 2009.

Tim Easton put out a wonderful bluesy/alt country album called Porcupine. And wow, can he play guitar! Check out his web site to see some of the 500 limited edition album covers which he painted.

Broke My Heart.mp3


William Elliott Whitmore is young white man who sounds like an old black blues man. Great album.

There's Hope for You.mp3


Regular readers of this blog will know that I love all things Jay Farrar. Son Volt put out a wonderful album this year, that some bloggers even compared to Trace. Well, I won't go that far, but it is a damn good album. I'm surprised that it is not on more end of the year lists.

Strength and Doubt.mp3


And speaking of my main man Jay, Farrar and Ben Gibbard released an album based on Jack Keroac's 1962 novel Big Sur, and the subsequent film entitled One Fast Move and I'm Gone. I really don't like Gibbard's day gig with Death Cab for Cutie (worst band name ever), but his voice really works on this record. Farrar wrote all of the music for this film, which came out in limited release on Oct 16.

These Roads Don't Move.mp3


BettySoo was new to me this year. I can really relate to her music. For fans of Kathleen Edwards and/or Patty Griffin.

Never the Pretty Girl.mp3


The sophomore release from A.A. Bondy is even better than his first one. And, he's a hell of a live performer. This album made many best-of lists for 2009.

False River.mp3
Buy: When the Devil's Loose


I learned about American Aquarium from my buddy at NineBullets.net. Great stuff from this band from Raleigh, North Carolina. Be sure not to confuse them with American Aquarium Products of Oregon when you google them.

City Lights.mp3

Friday, October 16, 2009

Jay Farrar Friday: Covers Edition

Sweet drawing, eh? Its the Nov-Dec 2001 cover of the now defunct roots music magazine No Depression, which is now a thriving on-line community of music enthusiasts. You can find all kinds of cool stuff in their archives. This edition of Jay Farrar Friday is all about the cover tracks. Let's get into the music, shall we?

Originally recorded by Waylon Jennings in 1975, this track is part of the bonus material on the reissue of Uncle Tupelo's Anodyne. Edit: a Swedish reader pointed out that Joe Ely plays guitar and sings lead on this track. I should have noted that in the first place. Thanks for the reminder! Yee-Haw!

Uncle Tupelo - Are You Sure Hank Done It This Way?.mp3
Buy: Anodyne (1993, reissued 2003)

Farrar dives into psychedelic rock covering the late, great Syd Barrett and Pink Floyd.

Jay Farrar - Lucifer Sam.mp3
From: Stone, Steel & Bright Lights (2004, CD out of print)

Kelly Willis duets with Farrar on this Townes Van Zandt classic.

Son Volt - Rex's Blues.mp3
Buy: A Retrospective: 1995-2000 (2005)

This is more of a reworking than a cover, but I don't care because I love this track. Farrar teams with Anders Parker to reconfigure a bunch of folks songs under the moniker Gob Iron. This track is originally by Reverand J.M. Gates, who probably first wrote this song in the mid-1920s.

Gob Iron - Death's Black Train.mp3
Buy: Death Songs for the Living (2006)

Friday, July 10, 2009

Jay Farrar Friday

Son Volt's latest album American Central Dust came out on Tuesday, July 7. I haven't fully digested this one yet, but it sounds like Jay and the boys are playing some great country-folk. Lots of pedal steel and classic country guitar on this one. Me likey. They are on tour right now, specifically in Snowbird, Utah, today. But the only Canadian date is in Vancouver (July 21)! I've never seen Son Volt live, and it doesn't look like I will get this this year either. You can follow them on their tour blog.

Son Volt - Roll On.mp3
Buy: American Central Dust (2009)

Here's killer instrumental from Uncle Tupelo. This track is from their third album, which was recorded live and produced by R.E.M.'s Peter Buck. The liners notes list the song as being co-written by J. Farrar and J. Tweedy.

Uncle Tupelo - Sandusky.mp3
Buy: March 16-20, 1992 (1992, reissued 2003)

This track is from a Jay Farrar live album which I found on eMusic. It was recorded in September and October of 2003 while Farrar was on tour with the backing band Canyon. The album comes with an 11-track live DVD, which was recored at Slim's in San Francisco.

Jay Farrar - Like a Hurricane.mp3
Buy (eMusic): Stone, Steel & Bright Lights (2004)
The CD/DVD combo can be found new at Amazon.ca, but Amazon.com only has used copies or expensive imports.

Friday, June 19, 2009

Jay Farrar Friday

When I first started this blog nearly a year ago, I had grand visions of having a "Jay Farrar Friday" every few weeks. To date, I have had two "Jay Farrar Fridays." I get easily distracted and forgetful. Two things reignited my desire to post about Jay Farrar this week. One, on Wednesday night I had a dream I was a guitar tech for Farrar and that he was playing a small acoustic show in Toronto. This was clearly a dream as I know nothing about playing, much less tuning, a guitar. And, I have actually never seen Farrar or Son Volt in concert. Blasphemy, I know. I suck.

The second thing that got me excited about all things Farrar is that the blogger at A Truer Sound (a lyric from "Windfall") posted some sweet Uncle Tupelo bootlegs. The first, Not Forever, Just For Now, is the original demo tape from 1989 that presumably got Uncle Tupelo their first record deal (read the CD cover art and see how Uncle Tupelo rates the beers). The second is a 1988 demo tape called Live & Otherwise, consisting of live recordings and studio demos. Finally, we have Colorblind & Rhymeless, their very first demo from 1987. I could go on and on about how awesome all three of these are, but just do yourself and favor and download all three.

This track is from the Not Forever, Just For Now demo, and it clearly shows the power of mixing country music with rock, something that Uncle Tupelo excelled at. This track would eventually be the lead track on Uncle Tupelo's debut album, No Depression.

Uncle Tupelo - Graveyard Shift.mp3
From: Not Forever, Just For Now (1989 Demo)

Next, here's a track that was originally off of Son Volt's opus, Trace. This track was a minor hit in 1995, peaking at #10 on the Billboard Mainstream Rock charts. I distinctly remember hearing it on the radio when I lived in St. Louis (current home of Jay Farrar and friends). This version is off of a bootleg called Acoustic Radio Sessions '95-'96, which you can find on various torrents.

Son Volt - Drown.mp3
From: Acoustic Radio Sessions '95-'96

This final track is from a promotional EP that Son Volt put out in 1997, before the release of Straightaways. This track did not make the final album cut.

Son Volt - Tulsa County.mp3
From: Switchback EP (1997, out of print)


Son Volt has a new album coming out on July 6 called American Central Dust, and it is currently streaming on the Son Volt website. It sounds fantastic!

Wednesday, March 18, 2009

Windfall of Lemons

Life kicked my proverbial ass last week. I had all of these great blogs posts planned about Canadian Music Week, and St. Patty's day, and other a bunch of other things, but aw, fuck it. Blogs can wait until I get my miserable life straightened out. As my main man Jay Farrar says, "Let the wind take your troubles away." When life stops handing me lemons I'll get back to some clever blog posts.

Son Volt - Windfall.mp3
Buy (MP3 download only): Trace (1995)

OK, seriously, what the fuck. The Trace CD is not in stock at Amazon. Trace is arguably one of the best Americana/Country albums of all time. Get your shit together Amazon! And if you, gentle reader, don't own this album, get off your ass and get to your local record store pronto!

Friday, December 26, 2008

Best of 2007 (Re-post)

While most music bloggers finished their best of 2008 list by the Hype Machine mandated deadline of December 15, I still haven't figured mine out. So much good music, so little time! Plus I am still on the road traveling for the holidays and I don't have time to blog. Here is my best of 2007 list that I post on Last.FM and MySpace, before I founded My Aimz is True. And, in retrospect, I still think this list is pretty accurate. Although I may bump Two Cow Garage up a few spots. Stay tuned for my best of 2008 list, which I will hopefully post before the start of 2009!

My Favorite Albums of 2007

1. Okkervil River - The Stage Names
This album grabbed me and never let go. Lead singer/songwriter Will Sheff writes and sings about the perils of becoming (relatively) famous, how to keep the band going when the tour becomes a drag, how weird it is to have groupies, and what happens when your creativity or songwriting ability dries up. The wonderful part of this album is the diversity of the songs (from rock "Unless its Kicks" to suicide ballad "Savannah Smiles" to obvious Motown influence "You Can't Hold the Hand of a Rock and Roll Man") and the array of instrumentation used (from coronet to pedal steel to rock piano). You can tell Sheff put a lot of time, thought, and effort into the songwriting, and his voice has really matured over the last few years. I actually had to ban myself from listening to this at about mid-October lest I burn out of it. I will love this album for a long, long time.

Standout Tracks: "Our Life is Not a Movie or Maybe" (A kickass rock song about how life, unlike a movie, is actually quite boring), "Plus Ones" (what does happen to the 97th tear, or 100th luftballon?), "A Girl in Port"" (beautiful love song), "John Allyn Smith Sails" (Sheff turns the west indies folk tune "Sloop John B" into a suicide note from poet John Berryman. Brilliant!)

The only song I am not nuts about is "Title Track." Its not a bad track by any means, but it prevents this album from being a perfect 5.

Our Life is Not a Movie or Maybe.mp3
Buy: The Stage Names (2007)


2. The NationalBoxer
Although this album was released March, I stupidly didn't hear it until early December. And when I did it immediately captured me and blew me away. In fact, I had a hard time NOT making this my number one album of 2007, and I am repeatedly kicking myself for having missed them this year when they toured through Toronto. TWICE! Lead singer/songwriter Matt Berninger sings in a baritone voice, which almost always sounds either sad or desperate. He works with the themes of white collar angst - the constant grind of the big city ("Mistaken for Strangers"), climbing the corporate ladder ("Racing Like a Pro"), losing touch with your old friends ("Green Gloves"), and general disillusionment. The music is deep and lush, and some songs are supplemented with horns and keyboards.

For me, this was the perfect soundtrack for getting into the airport at 1:00 a.m. after Christmas seven hours later than expected due to a snow storm, having United Airlines lose my luggage, taking a bus from the airport to downtown, walking home from the bus stop in the pouring rain through the club district of Toronto with all of the super young kids getting soaked in their mini skirts and heals and their hair gel running all over, and finally getting home at 2:30 a.m. so physically and emotionally exhausted that I couldn't sleep.

Not a bad track on this album.

Standout Tracks: "Fake Empire" (amazing syncopated piano opening), "Mistaken for Strangers," "Green Gloves"

Fake Empire.mp3
Buy: Boxer (2007)


3. The SadiesNew Seasons
The Sadies are my favorite Canadian band, and although they are mostly known for putting on kick-butt live shows, which they do (I saw them twice this year), their albums aren't bad either. Its nearly impossible to classify this band. They area incredibly talented musicians who are smart enough not to limit their music to one genre. Their previous releases have been parts country, rock, gospel, alt country, folk, bluegrass, surf rock and psychedelic. They are quintessentially Americana, (or Canadiana, I guess).

New Seasons is another great release. It starts with a bluegrass instrumental "Introduction," and launches into a slightly psychedelic rock song. The variety on this album is immense. This album sees the lead singers, brothers Dallas and Travis Good, doing a lot more harmonizing than on previous releases, and it really works. The frantic dual guitar work and country twangs that Sadies fans know and love are still included on the album, but this recoding also showcases some of the Sadies softer sides, with beautiful tracks such as "My Heart of Wood" and the instrumental "Wolf Tones." The album drags a little at the end, but otherwise its another wonderful release from a superb band.

Standout Tracks: "What's Left Behind," "Yours to Discover," "Anna Leigh"

What's Left Behind.mp3
Buy: New Seasons (2007)


4. For the Sake of His Songs: A Tribute to Townes Van Zandt by Various Artists from the AltCountryTab.ca forum
This tribute album represents all that is good about the internet. It was put out by a group of people who have never met each other, who all post and discuss music on the http://www.altcountrytab.ca forum. Eric Rhame, from Duluth, Minnesota, coordinated the project. People electronically submitted their home recorded tracks as MP3s to Mr. Rhame from locations as diverse as Tustin, California, to Denton, Texas, to Oxford, United Kingdom. The artists range from professional musicians, to law students, to stay at home dads, to civil servants. Some were singing for the first time, and others had never recorded before. It turned out so well that Mr. Rhame contacted Townes Van Zandt's widow, and she accepted a copy of it, and thanked the group for keeping Van Zandt's memory alive! Morgan King of The Popehawks and owner/operator of Yer Bird Records did the cover art.

I was only a passing Townes Van Zandt fan before I heard this album. Since then I have gone out and purchased three Van Zandt CDs and become a true believer. That is the point of projects like this. To keep the memory of a wonderful artist alive, and to encourage people to dig into his catalog. Amazing album.

Standout Tracks: "Marie" by Karl Haglund, "Kathleen" by Kristine Jones, "Flyin' Shoes" by Matt Kidney, and a punk version of "Mr. Mudd & Mr. Gold" by The Popehawks.

Kathleen.mp3
Download the entire tribute here.


5. Son VoltThe Search
If I learned one thing in 2007, its that I am a Jay Farrar chick instead of a Jeff Tweedy person. For the longest time I have been denying it, but after comparing Son Volt's The Search with Wilco's Sky Blue Sky (or, Sky Snooze Sky, as I have dubbed it), there is now no question. Although The Search is not a perfect album, and some of the lyrics are quite esoteric, I think that it's the best thing Farrar has done since Trace. Farrar is still the lyrical master of the blue collar plight. A good example of this is the second track "The Picture," and if you search the internet a little bit, you can find a version of it without the Miami Sound Machine influenced horns. (Seriously Jay, horns?) But this and other minor blunders are forgiven by what is, in my opinion, the song of the year, "Methamphetamine." You can feel the desperation of the recovering addict in this song, trying to make it though the night without giving in to his demons. A must have album for all alt country fans.

Standout Tracks: "Circadian Rhythm," "Methamphetamine," "Adrenaline and Heresy," "Highways and Cigarettes"

The Picture (No Horns).mp3
(An iTunes "exclusive." iTunes exclusives can suck it. I know its something that the label makes the artist do, but all it does is hurt the real fans.)
Buy: The Search (2007)


6. Chris KnightThe Trailer Tapes
Chris Knight is the most underrated songwriter in North America. Knight recorded these tracks by himself in his singlewide trailer near Slaughter, Kentucky, back in 1996. Bootlegs and outtakes of these tracks have been floating around ever since. They are stripped down, emotional, and very raw. Knight is a master of storytelling – recalling lost love and broken hearts, hating the dead-end job, the bank foreclosing on the farm, and disillusion with city life.

My person favorite track, "Rita's Only Fault," tells the story of unrequited high school love – of course she marries the high school quarterback. But will anyone believe Rita when Mr. QB isn't very nice to her?

Knight has been picked up and dropped by the major labels all through his career. I had the privilege to see him perform and to meet him this year, and he was very humble and soft spoken. I'll take raw emotion and brilliant songwriting in a Kentucky trailer over Nashville radio bombastic hair gel, fake smile pop-crap like Rascal Flatts any day.

Standout Tracks: "Something Changed," "Rita's Only Fault," "Hard Edges," "Here Comes the Rain"

Rita's Only Fault.mp3
Buy: The Trailer Tapes (2007)


7. Folk Music for the End of the World – Various Artists – Yer Bird Records
This compilation from Yer Bird Records is a rough concept album about things that will ruin the world – such as greed, war, violence, death, losing faith, and even global warming. All of the tracks are previously unreleased. What I love about this album, in addition to the vast number of extraordinarily talented artists, is their ability to tell stories through song. And each artist does things his/her own way, leading to a really challenging and remarkable record.

I bought this early in 2007, and it was a huge grower.

My favorite track is "Mississippi Sea" by Hezekiah Jones. He tells the story of the aftermath of some big unstated catastrophe (maybe the melting of the polar ice caps or a big earthquake?), then hiding for 17 years and emerging in 2043. Now he vacations at his condo near the Mississippi Sea. And with only 16,080 people left on earth, they spend all day making babies. Not a bad life.

Other Standout Tracks: "Message from London" by Hayden, "Barter Blues" by J. Tillman, "Sad Little Drunks" by Oweihops, "Angeline" by O'Death, "Lay Me Down" by The Hotel Ghost (unbelievable mostly a capella vocal performance by female lead singer)

Mississippi Sea.mp3
Buy: Folk Music for the End of the World (2007)


8. Ryan AdamsEasy Tiger
The extraordinarily talented Ryan Adams gets back to what he does best on this album: roots-rock Americana. There is not a bad track on this album. However, there are no real standout tracks either. His backing band, The Cardinals, superbly fills in the accompaniment. What really got me was seeing him on Letterman – for the first time in years Adams looked happy, like he was actually enjoying himself. I really love the consistency of this album.

Letterman, Nov. 2, 2007 (YouTube):

Everybody Knows

How Keep Love Alive (from 2005's Cold Roses) / Pearls On A String (amazing bluegrass jam)

Standout Tracks: "Goodnight Rose," "Off Broadway," "Pearls on a String," "I Taught Myself How to Grow Old"

I Taught Myself How to Grow Old.mp3
Buy: Easy Tiger (2007)


9. Two Cow Garage - III
If Paul Westerberg of the Replacements and Ben Nichols of Lucero had a kid, it would be Two Cow Garage's lead singer and guitarist Micah Schnabel. Schnabel sings his heart out on 9 of the 13 tracks, with bassist Shane Sweeney stepping in on lead vocals for four tracks. Sweeney's lower voice is a nice contrast to Schnabel's wailing, and makes for great variety on the record. This album is practically an alt country super group, with Slobberbone/Drams Brent Best producing and playing guitar on four tracks, and Scott Danbom of Centro-matic rocking the piano and organ.

This record is more rock than alt country, but I don't think that Two Cow Garage is too concerned about labels. They rock as hard as anything the Drive-By Truckers have done, and yet can dial it down when needed. This albums also has the best opening line of 2007, from "Come Back to Shelby." "I still smell the smoke from the bridges that I burned." Turn it up. Loud.

Standout Tracks: "Come Back to Shelby," "No Shame," "Mediocre" (bitchin' rock piano and horns)

Come Back to Shelby.mp3
Buy: III (2007)
This link to Amazon has the wrong track list. Try eMusic or iTunes.


10. Great Lake Swimmers – Ongiara
I wish I could remember who turned me on to this trio from Toronto. It's a very mellow, mid to low tempo record, perfect for a rainy or snowy Sunday afternoon. The opening track, "Your Rocky Spine," displays beautiful banjo picking, along with backing vocals from Sarah Harmer. There's a feeling of deep longing and melancholy throughout this record, but there is also a feeling of hope. The songs are recorded using minimal instrumentation - mostly acoustic guitar, banjo, double bass, and drums played with brushes. People categorize this as "indie pop" and compare it a lot to the work of Elliott Smith and Iron & Wine, but I believe that, like the other two artists, this record has large crossover appeal to many genres and age groups. Very consistently gorgeous throughout the record.

Standout Tracks: "Changing Colours," "Put There by the Land," "I am a Part of a Large Family"

Changing Colours.mp3
Buy: Ongiara (2007)