Showing posts with label Justin Townes Earle. Show all posts
Showing posts with label Justin Townes Earle. Show all posts

Sunday, February 6, 2011

January 2011 Recap

Lots of noteworthy things happened while I was on hiatus in January. Here's a quick rundown of what I missed while I was moving and getting settled.

#1. Justin Townes Earle started out 2011 by rocking it on Letterman on January 5, playing the title track from his 2010 release Harlem River Blues. Make sure to note Jason Isbell killing it on lead guitar .




Gary Louris of the Jayhawks.
Photo by Frank at Chromewaves.
#2. I cursed and cursed and cursed when I learned that The Jayhawks were opening their reunion tour in Toronto at the Phoenix, on January 18, only two weeks after I moved. This show coincided with the reissues of their classic albums Tomorrow the Green Grass and Hollywood Town Hall. From everything that I read, the show was pretty great:
Most obviously it was there in their vocals and the way their harmonies interlocked – as good as they sounded individually it was like their voices were meant to be together for always – but also in the way their guitars played off one another, Olson’s acoustic rhythm and Louris’ searing electric leads reminding that they played both sides of the country-rock tag equally and just that undefinable but undeniable chemistry between them.
- Chromewaves.net

The Jayhawks' style has certainly aged well, and the clichéd yet accurate observation that "they sound better than ever" was heard exchanged between more than a few contented concertgoers. - Exclaim!

The Jayhawks really were fantastic. A bit of a slow build but then they got rocking. Harmonies were blissful. The new songs had a very defintie new energy and excitement. They are coming back around in the summer with that tour. - Rad Jen

It was awesome, original line-up. It was fucking epic. I feel rough today. - Kellow
After some address changing issues were cleared up with Amazon and my credit card company, I finally received TTGG and HTH in the mail last week. And let me tell you, they sound so good.

Leave No Gold.mp3
Buy: Hollywood Town Hall (2011 Expanded Edition)

Tomorrow the Green Grass.mp3
Buy: Tomorrow The Green Grass (2011, 2 CD Legacy Edition)


#3. My main man Hayes Carll played on the Tonight Show on January 21, and my cable was installed on January 22. Grumble, grumble. Despite the fact the Jay didn't know what the fuck he was talking about, Carll and his band destroyed it on Leno. Is "KMAG YO YO" not "Subterranean Homesick Blues" on meth? The album KMAG YOYO will be officially released on February 15.




#4. Todd Snider wrote an amazing essay for the Village Voice blog on what he would do if he met Bob Dyaln.
it's hard to think of new ways to consider bob dylan and his work
he's probably the most debated and discussed singer to ever live.
but here's a question. especially for songwriters.
what are you going to do if you meet bob dylan?
.....continue reading here.
Snider released his latest album, the two-disc Todd Snider Live: The Storyteller on February 1. He played an acoustic gig in Boston last night. A review will be forthcoming.

Keep Off the Grass.mp3
From: Tales from Moondawg's Tavern (2000 bootleg)


#5. In Hunstville, Alabama, on January 27th, Jason Isbell joined the Drive-By Truckers on stage for the first time in four years. My blogger colleague AutopsyIV at Nine Bullets has the full run-down. WOW! Even without Isbell, the Truckers remain one of my top five live acts. I'm very jealous of all of you fuckers who were at that Huntsville show!


Monday, March 15, 2010

Concert Review: Justin Townes Earle with Joe Pug, March 1, The Horseshoe, Toronto

I saw Justin Townes Earle nearly a year ago at this same venue. I knew I was in for a great show, and fortunately so did other Torontonians, as there were two to three times as many people at this Monday night gig as compared to the Wednesday gig in April, 2009. And, this show contained different musicians; JTE brought along Josh Hedley on fiddle and Bryn Davies on upright bass, as opposed to Cory Younts on mandolin at the '09 gig.

JTE took the stage wearing rimless glasses, a light blue button-down shirt, a brown coat, and matching brown bow tie (a real bow tie, not the clip-on type most guys I know wear). The trio sounded wonderful, and played many of the songs from 2009's Midnight at the Movies at a slower pace than the recordings, such as "They Killed John Henry" and "Mama's Eyes." The fiddle sounded like a train screeching down the tracks during "Halfway to Jackson," and the fiddle filled in for the whistling part on "Know Right Now." JTE also played five new songs, and mentioned that he wanted to start recording them in May or June. I made up names for these songs (see below), but they all had the classic country style that we have come to expect from JTE.

In addition to great music, JTE also puts on quite a stage know. I think he thrives on entertaining an audience with his banter as much as he does with his music. He tells the stories behind his songs, whether he's talking about his mom's 'Hillbilly Intuition,' "The last thing you need when you get your ass kicked by the cops, is your ass kicked by your mama!" Or women, "I got a knack for writing songs that the ladies don't appreciate. So does my daddy." Or bitchy women, "Never fuck with a traveling singer/songwriter cause he'll air your shit all over the world."

As per previous shows, JTE acknowledged his country roots by playing covers of some classic songs by the Carter Family, Buck Owens, and Lightnin' Hopkins. And the catchiest cover of 2009, the Replacements "Can't Hardly Wait," which JTE dedicated to the late Chris "Spacewolf" Feinstein.

Minus the new songs, the set list was very similar to the April '09 show. After a year on the road, JTE has matured and perfected his craft. For this show I felt like he was trying less to prove himself, and more to simply entertain.

Set List
1. Poor Fool - Midnight at the Movies (2009)
2. The Killed John Henry - Midnight at the Movies
3. Halfway to Jackson - Midnight at the Movies
4. I Don't Care - Yuma (2007)
5. What Do You Do When You're Lonesome - The Good Life (2008)
6. Mama's Eyes - Midnight at the Movies
7. Boy Keep Movin' (?) - new song
8. What I Mean to You.mp3 - Buy: Midnight at the Movies (2009)
9. Someday I'll be Forgive for This - Midnight at the Movies
10. Nobody's Waiting On Me (?) - new song
11. I'll Keep Wondering (?) - new gospel-style song (JTE solo)
12. So Different Blues - Mance Lipscomb cover (JTE solo)
13. My Starter Won’t Start This Morning - Lightnin' Hopkins cover (JTE solo)
14. Hard Living - The Good Life
15. Ain't Glad I'm Leaving - The Good Life
16. Lone Pine Hill.mp3 - Buy: The Good Life (2008)
17. South Georgia Sugar Babe - The Good Life
18. Working for the MTA (?) - new song
19. Mama I'm Coming Home (?) - new song
20. Midnight at the Movies - Midnight at the Movies
21. Can't Hardly Wait - Midnight at the Movies, Replacements cover
22. Walk Out - Midnight at the Movies

Encore
23. Yuma - Yuma
24. Gold Watch and Chain - Carter Family cover
25. Close Up the Hony Tonks - Buck Owens cover


Joe Pug opened the show with a set of eight songs, mostly from his debut album Messenger. His set was split between Pug solo on acoustic guitar, and Pug with Andrew Harrison on pedal steel and electric guitar. He sounded wonderful, and his songwriting and style reminded me a bit of the late Vic Chestnutt. I purchased Messenger that night, so at the time I wasn't overly familiar with his music and I didn't catch all of the names of the songs that he performed, but he did do "The Door Was Always Open," "Speak Plainly Diana," and "Not So Sure." I wanted to get Pug to sign a CD for me, but he's a cute kid, and there were lots of young chicks in line to get their CDs signed/flirt with him, so I took a pass. But next time I hope to chat with him at bit.

Not So Sure.mp3
Buy: Messenger (2010)

Monday, January 4, 2010

Most Listened to Songs of 2009

I'm steeling this idea from another blog, and for the life of me I can't remember who posted it first. I know it was someone off of my twitter feed, but I went back through the feeds last night and I still have no clue who originally posted this. But anyway....

Are the songs that we call our "favorites" the same songs that we listen to the most? I went back through my media players to determine which songs from 2009 I actually listened to the most. The top 18 are listed below (38 tracks total as there are lots of ties). A few interesting notes: some albums I listened to almost exclusively on my MP3 player (Corb Lund, Slaid Cleaves), a few I listened to mostly through my computer (Carolyn Mark & NQ Arbuckle, Tim Easton), and others tracks just can't be quantitated because I know I mostly listened to them on my CD player (Mark Olson & Gary Louris, Drive-By Truckers), and some were listened to by all three methods (Son Volt).

1. Carolyn Mark & NQ Arbuckle - "Downtime" - Let's Just Stay Here
2. Justin Townes Earle - "Can't Hardly Wait" - Midnight at the Movies
2. Son Volt - "Down to the Wire" - American Central Dust
4. Carolyn Mark & NQ Arbuckle - "All Tim Low" - Let's Just Stay Here
5. Corb Lund - Game in Town Like This.mp3 - Buy: Losin' Lately Gambler
6. Carolyn Mark & NQ Arbuckle - "Second Time" - Let's Just Stay Here
7. Carolyn Mark & NQ Arbuckle - "Officer Down" - Let's Just Stay Here
7. Carolyn Mark & NQ Arbuckle - "Saskatoon Tonight" - Let's Just Stay Here
7. Corb Lund - "Horse Doctor Come Quick" - Losin' Lately Gambler
7. Doug Paisley - "What About Us?" - Doug Paisley
11. Corb Lund - "Long Gone to Saskatchewan" - Losin' Lately Gambler
11. Corb Lund - "The Only Long Rider I Know" - Losin' Lately Gambler
11. Doug Paisley - "We Weather" - Doug Paisley
11. Phorsphorescent -I Gotta Get Drunk.mp3 - Buy: To Willie
11. Slaid Cleaves - "Beautiful Thing" - Everything You Love Will Be Taken Away
11. Son Volt - "Dust of Daylight" - American Central Dust
11. Tim Easton - "Burgundy Red" - Porcupine
18. Ben Nichols - "The Last Pale Light in the West" - The Last Pale Light in the West
18. Ben Nichols - "Toadvine" - The Last Pale Light in the West
18. Black Joe Lewis & the Honeybears - Get Yo Shit.mp3 - Buy: Tell 'Em What Your Name Is!
18. Carolyn Mark & NQ Arbuckle - "Itchy Feet" - Let's Just Stay Here
18. Carolyn Mark & NQ Arbuckle - "Let's Just Stay Here" - Let's Just Stay Here
18. Corb Lund - "Talkin' Veterinarian Blues" - Losin' Lately Gambler
18. Corb Lund - "This is My Prairie" - Losin' Lately Gambler
18. Eilen Jewell - "Rain Roll In" - Sea of Tears
18. Jason Isbell & the 400 Unit - "Cigarettes and Wine" - Jason Isbell & the 400 Unit
18. Jason Isbell & the 400 Unit - Good.mp3 - Buy: Jason Isbell & the 400 Unit
18. Justin Townes Earle - "They Killed John Henry" - Midnight at the Movies
18. Justin Townes Earle - Halfway to Jackson.mp3 - Buy: Midnight at the Movies
18. Slaid Cleaves - "Beyond Love" - Everything You Love Will Be Taken Away
18. Slaid Cleaves - "Cry" - Everything You Love Will Be Taken Away
18. Son Volt - "Cocaine and Ashes" - American Central Dust
18. Son Volt - "Dynamite" - American Central Dust
18. Son Volt - "Roll On" - American Central Dust
18. Tim Easton - "Northbound" - Porcupine
18. Tim Easton - "Stone's Throw Away" - Porcupine
18. Those Darlins - "Wild One" - Those Darlins
18. William Elliott Whitmore - "Who Stole the Soul" - Animals in the Dark

Here is the artist that I listened to the least in 2009 (graphics from Last.FM):

Friday, December 18, 2009

My Favorite Albums of 2009

What a strong year for music! I've had a hell of a time narrowing down my list this year. Once I got it down to my top 30 albums, it took me forever to parse it down to ten. One thing that I noticed about my particular list is that it really leans heavily towards the country/folk-ish albums. I'm usually a big indie rock geek, but for some reason none of the rock releases that professional critics are lauding this year really did anything for me (e.g. Grizzly Bear, Phoenix, Animal Collective, etc.). Does this mean that I am getting old and I subconsciously don't want to listen to what the damn hipster kids are into? Am I turning introspective and listening to music that more closely resembles the calamity that is my life? Would I feel the same had Okkervil River put out an album this year? Hmmm....

This list also leans towards artists that I saw live this year, and I have tried to reference back to their show somewhere in my review of that album. This system is probably not fair to the artists that I didn't see this year, but what can I do? I see an enormous number of shows every year, and if an artist/band doesn't get his/her/there ass(es) to Toronto, its not my fault.

Any of these top ten can rotate to the top of the list at any given time, but on this day, in the year of our lord two thousand and nine, these are my ten favorites.

1. Justin Townes Earle - Midnight at the Movies

Justin Townes Earle knows his country music history. Hell, given his middle name and surname, he's lived part of this history. Which is one of the reasons why Midnight at the Movies is so special. JTE, while acutely aware of his family legacy, writes songs that are uniquely his. In fact, many of these songs have so much classic country character that they sound like they could have been written by A.P. Carter. The instrumentation is almost all acoustic, and mixes classic country, bluegrass, blues, folk, and even a bit of rock. And in true classic country style, JTE loves to tell stories in his music. The title track tells of a lonely soul waiting in the dark movie theatre for a few hours of affection from his mystery ladyfriend. "Mama's Eyes" may be JTE's most poignant song, describing his difficult relationship with his father, while acknowledging that he's also his mother's son. "Sure it hurts but, it should hurt sometimes." What a great lyric for anyone who has even had issues with their parents. "Forgiven for This" describes the disintegration of a relationship with the narrator hoping for eventual absolution. And every great country album needs a song about folk legend John Henry. "Dirty Rag" is a short bluegrass instrumental that sounds like it could have been written by the Sadies. The harmonica part on "Halfway to Jackson" really makes you feel like you are listening to a train chug by. But then JTE pulls a fast one on us with a brilliant country-fied cover of the Replacements "Can't Hardly Wait." Who hasn't had the mandolin riff from this song stuck in their head since the album came out in March? In a year full of cover song recordings, this one is my favorite. There is a not a bad song on this album. Midnight at the Movies is a must own for all country music fans.

Halfway to Jackson.mp3
Buy: Midnight at the Movies


2. Carolyn Mark & NQ Arbuckle - Let's Just Stay Here

I will admit that the reason this album is so high on my list is that their live show was absolutely killer. After hearing Carolyn Mark sing I turned into this crazy/creepy fan girl and confessed my love for her when I ran into her in the washroom that night. How embarrassing. How old am I? Anyway, the album is wonderful, alternating between songs written by Mark and NQ Arbuckle. Some songs are serious ("All Time Low"), some are fun ("Canada Day/Toronto"), some are kick-ass covers ("Too Sober to Sleep," "Downtime"), some will make you dance ("When I Come Back"), and some will make you cry ("Saskatoon Tonight"). And how can you not love a song that name drops the Drive-By Truckers ("Officer Down")? Mark and Neville Quinlan's voices blend so well, and the musicianship on the record is top notch. I can't wait to see them again!

When I Come Back.mp3
Buy (Amazon): Let's Just Stay Here
Buy (Maple Music): Let's Just Stay Here


3. Mark Olson & Gary Louris - Ready For The Flood

I still remember exactly where I was the first time I heard the Jayhawks trademark song "Blue." My dad was driving me home from college for spring break 1995 and we were somewhere north of Milwaukee when "Blue" came on the radio. I've been a huge Jayhawks fan every since. The Jayhawks as we knew them may not exist anymore (they more or less have to pay Rick Rubin to use the Jayhawks name), but Mark Olson and Gary Louris continue making beautiful country/folk music, and Ready for the Flood sounds like it could be a proper Jayhawks album. Not that its a sounds totally like a Jayhawks release, but all of the elements are there. Highlights include "The Rose Society," "Bicycle," "Turn Your Pretty Name Around," "Saturday Morning on Sunday Street," and the rest of the album. Its also a long alum: 15 tracks and over 55 minutes. But as soon as its over you will want to play it again. I was worried that people would forget about this album since it came out in mid-January, and I remember freezing my ass off in February just to see this duo preform in Toronto. In summary, to quote my buddy Daddy, "The sound of these two humans harmonizing together again will melt your cynical heart and make you weep like a newly born babe washed in the white, blinding light of love." Well said, Daddy.

Saturday Morning on Sunday Street.mp3
Buy: Ready For The Flood


4. Ben Nichols - The Last Pale Light In The West

In early 2009 Ben Nichols of Lucero put out his first solo album which immediately frustrated me because I had to wait eleven more months before I could put it on my best of list. We are used to Nichols writing kick-ass rock songs about getting drunk and breaking hearts, but when he put out an acoustic album based on Cormac McCathry's novel Blood Meridian, alt country fans everywhere were blown away. To quote Mr. Nichols himself, "I'm partial to the sad, slow shit," and that statement really shows on this album. Most of this album is slow, melancholy folk music, and you don't necessarily have to know the book to appreciate the lyrics. "Your mother died night you were born, her name you never knew..." Tell me that is not the alt country lyric of the year? And who would have thought that Ben freakin' Nichols would lead me to finally read a McCarthy novel? Which lead me to read another one, which lead me to buy two more as e-books which Brad Pitt will read to me while I am on vacation this winter.

Davy Brown.mp3
Buy: The Last Pale Light In The West
Buy the book: Blood Meridian: Or the Evening Redness in the West (orig. published 1985)

Although this album came out in April, it wasn't until I started getting my thoughts on 2009 organized in November when I really started to listen to this album. When I hit the ole shuffle button on my 2009 playlist, the songs from this album always had me looking at my Zune and thinking, "This is great. Who is this?" This is an unhappy record, disguised in happy folk melodies. For example, the opening song "Cry" sounds like it could be an upbeat, poppy folk tune until you listen to the lyrics. "There's no poison like a dream when it all comes undone." Not to mention the downer of an album title. "Green Mountains and Me" is a beautiful song about love gone wrong. There are several references to dreams not coming true in various songs on this album, especially in the song, uhh, "Dreams." Its not to say that this album is super depressing, but like life, we all have a hard time coming to terms with what will and will not be, and Cleaves does an excellent job at expressing these feelings in song.

This album was produced, mixed, and engineered by Gurf Morlix, who also put out one hell of a solo album this year. Morlix also plays various instruments and sings backup vocals on this album.

This album has the most variety of any album that I listened to in 2009. Although its tagged as "country," it ranges all over the place from traditional country, to ballads, to country-rock, and continues on the long tradition, and Lund's previous songwriting, of humor and storytelling in country music. And some of the songs even contain musical elements of jazz and blues. The opening track, "Horse Doctor, Come Quick" is about scoring drugs off of a veterinarian, which I am pretty sure was also an episode of the Trailer Park Boys. "This is My Prairie" is an environmental/anti-corporate ballad that could have been written by Steve Earle. "A Game in Town Like This" is about regret, and it may be the best song that Lund has ever written. The fact that this song is not played on country radio makes me weep for the future of humanity. Edit: this "fact" may not be totally accurate as country radio doesn't exist in Toronto and I have done no other field research.

A Game in Town Like This.mp3
Buy (Amazon): Losin' Lately Gambler
Buy (Maple Music): Losin' Lately Gambler

Pseudo-new Drive-By Truckers is better than most brand new releases. I say "pseudo-new" as some of these tracks have been floating around as bootlegs for quite a while ("The Great Car Dealer War"), some were used on random compilations (covers of Tom Petty's "Rebels" and Bobby D.'s "Like a Rolling Stone"), and some tracks are outtakes ("Uncle Frank" and "Goode's Field Road"). My personal favorite is the Trucker's unbelievably rocking cover of Warren Zevon's "Play it All Night Long" which sounds like it could have been straight out of their 2001 opus Southern Rock Opera. I also love the juxtaposition of "Uncle Frank," an anti-Tennessee Valley Authority (TVA) rocking rant sung by Mike Cooley, followed by a deliberate pro- song "TVA" by Jason Isbell. And how great it is to hear new Isbell-penned Truckers songs? DBT have been together for over 15 years and undoubtedly have tons of other tracks stashed away. I can't wait for the next batch of oddities and rarities.

Bonus: I got to see the Truckers at a private show in November. I rule!

Uncle Frank.mp3
Buy: The Fine Print

The reason I love this album is very simple. I am a child of the 80s, and this record sounds like it was recorded in 1989. Indeed, all three original Dinosaur Jr. members are back for their fifth studio album: J. Mascis on guitar, Lou Barlow on bass, and Murph on drums. Farm sounds like a modern Bug (1989) with lots of Crazy Horse-style guitar distortion and killer riffs. Ten of the 12 tracks were penned by Mascis, while the other two are by Barlow. My only criticism of this album is that the Barlow tracks kind of drag relative to the kickassery (is that a word? spell check says yes) of the Mascis songs. But Barlow's tracks do not diminish the greatness of this record by any means. If you don't want the entire album, just promise me that you will pick up the first four tracks. They rock harder than anything else I have heard in 2009. In a year when indie rock mostly let me down, these aging indie rock gods showed the hipster kids how it is done.

Plans.mp3
Buy: Farm

This is the sleeper album which I kept coming back to in 2009. I often found myself on a late night subway or streetcar train, slightly intoxicated, thinking, "I really want to listen to Doug Paisley." This debut album contains sweet, gentle country folk. It opens with the heartbreaking "What About Us?" "Cause I just ain't no good alone." Gulp. "We Weather" is a tender love song about making it through the rough patches in a relationship, and contains some beautiful pedal steel work. "Digging in the Ground" has a wonderfully unique piano lick. "Take My Hand" is about reconciliation. If you like James Taylor without all of the cheesiness and a little more country, then you should check out Doug Paisley. (Awful comparison, I know, but its the best that I can come up with. Doug, if you are reading this I apologize.)

Edit: Better comparison: Paisley's Canadian brethren Hayden, but with more twang.

Take My Hand.mp3
Buy (Amazon): Doug Paisley
Buy (No Quarter): Doug Paisley


10. Lucero - 1372 Overton Park

I didn't really like this album until I saw Lucero live. Then I fucking loved this album! There was a lot of hoopla in the blog-o-sphere about the fact that Lucero had incorporated a horn section into its band. To me, it was like Ben Nichols had spent too much time with The Hold Steady, for whom he did background vocals for their 2008 album Stay Positive. In fact, I thought it was The Hold Steady when I first heard it. Overall, I was fine with the horns, and even liked them better live where they were less pronounced. The thing that bugged me about this album was that wasn't that much different from previous Lucero releases. Not that this is a bad thing. I love, love, love their older albums. But after hearing Nichol's solo album (see #4) you realize how much more they can do than "boy with sketchy past meets girl with sketchy past, they get drunk, his/her heart is broken" (more or less the first eight tracks of 1372 Overton Park). "Drinking women chasing whiskey," from "Sixes and Sevens" is classic Lucero songwriting, as are most of the songs on this album. The only song that really stands out to me is "Mom." Nichols slayed me when he did this song live. The song is an ode to the band's mothers, telling them yeah, we fuck around a lot, especially when we are on tour, but don't worry, you raised us right, and we will be home soon. Amazing. I want to hear more songs like "Mom" from Lucero. If 2007's Rebels, Rogues, and Sworn Brothers was the "piano album," and 1372 Overton Park is the "horn album," I fully expect the "pedal steel" album in 2011.

Mom.mp3
Buy: 1372 Overton Park